Smith & Benjamin’s ‘BAHAMIAN ART & CULTURE’ A Weekly Digest of Art & Cultural News from The Bahamas and the World – Since 2000 • • • • CLICK HERE

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Smith & Benjamin’s ‘BAHAMIAN ART & CULTURE’
A Weekly Digest of Art & Cultural News from
The Bahamas and the World – Since 2000

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CLICK HERE to see online version.

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Friday, April 12th, 2019
Issue No. 378

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COVER IMAGE:
“Fear 2” by Bahamian artist Keith Thompson.
(2019 / gouache on paper)
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Keith Thompson’s series of portraits entitled “Fear” are inspired by his own experiences growing up around crime and gang culture in The Bahamas. They are now on view until May 16th, 2019 at the D’Aguilar Art Foundation.
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See story “Bahamian artist evoking ‘FEAR’” below.

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art & cultural
events calendar

Events taking place from:
Friday, April 12thThursday, April 25th

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TONIGHT

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E X H I B I T I O N :

St. Anne’s School presents: “Surge – A Wave of Emotions” Senior Art Exhibition

• TONIGHT: Friday, April 12th | 6:30pm | The Ladder Gallery, New Providence Community Centre, Blake Road, Nassau

The Ladder Gallery at the New Providence Community Centre (NPCC) on Blake Road is excited to host St. Anne’s High School Senior Students’ Art Exhibition and invites the public to attend. The show opens tonight, Friday, April 12th at 6:30pm. Come on out and celebrate these talented students.

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TOMORROW:

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E X H I B I T I O N :

Equity Bank and Trust presents:
‘All We Need is Art’ Exhibition

• TOMORROW: Saturday, April 13th | 2pm–6pm | Equity Trust House, Caves Village, Nassau

Equity Bank & Trust presents a group of contemporary artists displaying recent work with 10% of the proceeds being donated to the Marco Alert Project. Fifteen local artists will be participating including Harry Wallace, Judith Papillon, Allan Wallace, Jalan Harris, and Sophie McCarroll – to name a few. Entrance is by RSVP ONLY, so if interested in attending, please email art@equitybahamas.com or contact any of the featured artists to attend.

CLICK HERE for event page.

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NEXT WEEK:

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N O T I C E :

NAGB Closed for Maintenance

• Tuesday–Thursday, April 16–18th | 10am–6pm | At the NAGB

NAGB Logo

The National Art Gallery of The Bahamas (NAGB) will be closed for maintenance during the following days: Tuesday, April 16th–Thursday, April 18th, 2019. The NAGB will also be closed for Good Friday, Easter Sunday and Monday (April 21st and 22nd), the NAGB will be OPEN on Saturday, April 20th for holiday visits with family and friends. The Gallery reopen on Tuesday, April 23rd at 10am.

If you need to contact the NAGB, call (242) 328-5800 or email at info@nagb.org.bs.

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SAVE THE DATE

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K I D S / E V E N T :

NAGB presents: Easter ARTernoon Egg Mania!

• Saturday, April 20, 2019 | 10am–1pm | At the NAGB

NAGB-Easter Egg Hunt

This year, the National Art Gallery of The Bahamas is taking its annual Easter ARTernoon to a whole level with Egg Mania, a fun, creative, exciting morning of art, craft and egg hunting!

On Saturday, April 20th, 2019, children will search for and gather as many of our 700 hidden eggs as they can find, receive a craft kit and Popeye’s food voucher and for those who find the golden eggs or gather the most eggs, there are fabulous prizes with a special surprise inside. All of this Easter fun is divided into two sessions: 10am–11:30am for 2–7 yr. olds and 11:30am–1pm for 8 yr. olds and up. Snacks are provided and children must be accompanied by an adult.

The NAGB’s Arternoons are for children of all ages and includes all activities, food and drinks for a low fee of $12.00. Kids Club members are free.

CLICK HERE to register your child’s spot.

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E X H I B I T I O N :

“Island Life 2019: In Colour” –
New artwork by Jé-Rome Harris Miller

• Thursday, April 25th | 6pm–9pm | Christ Church Cathedral Church Hall | George Street, Nassau

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The public is invited to attend a new exhibition entitled Island Life 2019 – In Colour. It is Bahamian artist Jé-Rome Harris Miller’s latest solo exhibition featuring new artwork that explores the themes of religion, lifestyle, beauty, music, sexuality, and yesteryear.

Miller began these annual solo exhibitions in 2006 after the death of his friend and national cultural legend, Winston V. Saunders. The exhibitions act as a fundraiser for the Winston V. Saunders Memorial Scholarship Fund. For more information, call (242) 466-6996.

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art & culture stories
from the bahamas

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(Top) Bahamian artist Keith Thompson with details of his paintings from his serious of portraits entitled ‘Fear’.

COVER STORY:

Bahamian artist evoking ‘FEAR’

by Apryl Sands

Keith Thompson, a 23-year-old Bahamian artist has sparked a range of emotions when it comes to his paintings, but his present collection, entitled ‘FEAR’, hopes to expose art lovers to the realities of police brutality, gang violence and the many issues faced by persons living in the inner city.

“From a very early age, I was very focused on my academics but at the same time, I associated myself with people who were a part of gangs and who did drugs, and those people at the time meant a lot to me. I had to make the decision to step away from them,” Thompson said.

Some of Thompson’s photos have depicted black men who have been dealt a hard blow from the communities they have grown up in. And according to Thompson, these blows may have included drugs, gang violence or matters related to how they are treated by the police.

The young artist said he wants persons viewing his art to know that their talents can remove them from their existing environment.

“I remember showing them [black men] my art work on the hood of my car, and they couldn’t believe it” Thompson recalls, adding that his pieces have grabbed a person’s attention because the issues that he depicts in his paintings are relatively ‘unpopular’ in comparison to the ‘usual’ Bahamian art.

The Bahamian artist said he has sold more than 30 paintings within the last five years. He noted that while many Bahamian artists depict images of sun, sand and sea, his paintings are quite different. [...]

CLICK HERE for full story at Eyewitness News.
CLICK HERE for video interview of Thompson at Eyewitness News.
CLICK HERE for Tribune Editorial on Thompson’s work.

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1 Jamaal and partial delegates at UNESCO Forum China April 2019

Bahamian artist Jamaal Rolle, The Celebrity Artist, (standing in the middle) was the brainchild of the digital art piece, “A Vision United” which he presented at the closing meeting of the Third International Youth Forum (IYF3) on Creativity and Heritage Along The Silk Roads in Nanjing, China. Rolle created the revealed artwork on a 4-hour train journey between the two silk road cities of Changsha and Nanjing. Seen in the photo is the artist with a small portion of the 120 delegates who represented 83 countries.

A Vision United

Bahamian Artist Jamaal Rolle unveils a new art piece at UNESCO International Youth Forum in China.

by Azaleta Ishmael-Newry

Jamaal Rolle’s latest visual art’s piece created a buzz at a recent UNESCO Forum held in Changsha and Nanjing, China. Projected onto a large backdrop, the 20-foot creation was highly admired by attendees and officials; where many posed for a photo opportunity with “The Celebrity Artist” who is also a cultural ambassador of his island nation, The Bahamas.

3 Jamaal drawing eye for A Vision United on the train

The creation of “A Vision United” started on a 4-hour train journey from the city of Changsha to Nanjing, China as part of the Third International Youth Forum (IYF3) on Creativity and Heritage Along The Silk Roads by Jamaal Rolle, the artist who used a Wacom Drawing Tablet which boded well with the theme ”Innovation In The Age Of Media Arts.”

Rolle named the popular piece “A Vision United,” that embodied the message of the Third International Youth Forum (IYF3) on Creativity and Heritage Along The Silk Roads: Youth Creativity and Innovation in the Age of Media Arts – that was held March 31st to April 6th, 2019.

The colorful work of art featured a balanced colour scheme with abstract shapes that were labeled with the names of all the countries of the IYF3’s participants and interconnected, meeting at the center, where the artist had rendered the illustration of a realistic eye.

Kitso Rantao, a delegate from South Africa expressed her feelings about – A Vision United – “I think that if you look at it metaphorically, it speaks of how the youth are coming together to have a unified vision which is something that previous generation could not see eye to eye. Generations of war that we have inherited, generations of segregation, generations of discrimination and not understanding each other, and us coming together in this space, working towards one vision, is a very power image and I am very happy that South Africa is part of a bigger vision for a better world.” [...]

CLICK HERE for full article at The Bahamas Weekly.

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Diane Phillips

We’re selling ourselves cheap and it’s got to stop

by Diane Phillips

Once the avenue of luxury shopping dreams, today’s Bay Street is more accurately the aging T-shirt capital of The Bahamas. All is far from lost. The basic bones of historic Nassau’s extraordinary architecture are still intact. From overhead, the A-lined roofs atop tall, narrow structures remain nearly pure and intact. The expanse of lawn at Government House, sadly hidden from view by a wall that should be replaced by lattice or removed altogether, the hidden garden of the cathedral, the view of Forts Fincastle and Charlotte are all signs that the promise of revitalisation is worth holding onto. And on West Hill Street, the recent hanging installation of rows of vibrantly coloured umbrellas shows how easy it is transform a slice of road into a work of art that lifts the spirit and brings an inevitable smile to the face. The entire Garzaroli family should be commended along with Historic Charleston and the National Art Gallery of The Bahamas for the beauty that is West Hill Street.

Kudos always to those on Bay Street and its side streets who choose quality over quantity and find their own market. John Bull, Coin of the Realm, Brass & Leather, Cole’s of Nassau, Quantum.

But on most of Bay Street itself, there is less reason for positive thinking. The shops that once offered the finest in silver, china and silks, in brass and copper antiques, in rare books and prints are vanishing at a rate never before experienced.

It did not happen overnight. They began closing slowly, one at a time, usually because of personal not market reasons. Treasure Traders with its glittering glassware, sterling silver and fine Rosenthal china, Solomon’s/Little Switzerland with its wall to wall luxury and window display of a $55,000 Lalique glass table, The Scottish Shop with its array of cashmere and fine wool sweaters, capes and caps, Marlborough Antiques that sold pens, postcards and coffee table books among other personal treasures, Balmain Antiques with rare prints, maps and archival framing services, Nassau Art Gallery where Elise Wasile painted, sold and told tales that would make anyone fall in love with her and The Bahamas she drew, affixing the images forever on items as practical as ash trays – they are all gone. [...]

CLICK HERE for full article in The Tribune.

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(Top) Popop Alumnus artist Kendal Hanna (bottom) Artist Dylan Rapillard hard at work.

Rebirth of a community art gallery

Popopstudios brought back to life in time for ‘Transforming Spaces’.

by Alesha Cadet

A successful community effort by Bahamian artists has borne fruit: Nassau’s grassroots art gallery, the Popopstudios Centre for the Visual Arts, is about to reopen.

Popopstudios came to prominence on the local art scene in 2008 when it expanded its reach and facilities to accommodate resident artists as well as an exhibition space. Over the years, it became a self-sustaining entity, providing exposure for art students through its representing the Bahamas by providing a platform for regional and international artists. The art hub because home to many creatives.

However, the gallery was forced to close in 2016 after Hurricane Matthew tore through The Bahamas. Popopstudios sustained significant roof damage, rendering the facility uninhabitable.

Angelika Wallace-Whitfield, one of the artists working on the ongoing renovations, told Tribune Weekend that Popopstudios will now take on a new life, seeking to pay homage to rich artistic and cultural past, while also embarking on an new chapter with new leadership. This new era will also include new partnerships, such as the one with the Dawn Davies Collection, a collection that occupies the Fairwind exhibition space at Baha Mar as well as many other public areas on the resort property, including at the Rosewood.

To celebrate this partnership, The Current at Baha Mar curated Popopstudios for Transforming Spaces 2019, an annual island-wide art bus tour showcasing the best in contemporary visual art. [...]

CLICK HERE for full story on pg. 2 in The Tribune’s Weekend.

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Bahamian photographer Torrell Glinton with examples of his work for The Kinky Project.

Love of the Natural

The Kinky Project continues to celebrate hair of all textures.

by Jeffarah Gibson

Appreciation for Afro-textured hair continues to grow worldwide, and Bahamian photojournalist Torrell Glinton has vowed to continue to do his part for the celebration of the natural hair movement for as long as he can.

More than three years ago, Torrell, who himself sports a full head of long locs, presented his first photographic exhibition to the movement. He called it the The Kinky Project.

He recently decided to update the project with a new collection with portrait style shots of women and men with various natural hairstyles. The general public was invited to view Torrell’s latest additions during the exhibition’s opening last Saturday.

The Kinky Project celebrates the natural hair movement, which has swept the globe in recent years. It is a photo series highlighting the beauty of black natural (unrelaxed) hair in all of its various textures. “I wanted to create my own beauty series and at the time a lot of people, including one of my friends, were transitioning. I followed her when she cut her hair and filmed it, and that was the seed that would eventually become The Kinky Project,” he said.

While that may have been the spark that ignited the idea for the ongoing project, seeds were planted much earlier in the photographer’s life. He remembers watching his sister straightening her hair on Sunday afternoons for school the next day, wondering why she went through a sometime tedious and lengthy process just for the sake of being “beautiful”. [...]

CLICK HERE for full story on pg. 14 in The Tribune’s Weekend.

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(Top Left clockwise) Bahamian pianist and Lyford Cay and Harry Moore Scholar, Dion Cunningham. (Top Right): Cunningham gives a fun history lesson on famous composers. (Bottom): Cunningham performs selections from "Super Mario World" composed by Nintendo's Koji Kondo.

Bahamian pianist turns history into adventure

A celebration of music, arts and “edu-tainment” was the result of Dion Cunningham’s “Adventures in the Arts: Act 11” performance at Christ Community Church earlier this month.

A doctoral candidate, Dion has traveled the world in his quest to master the art of performance piano. He debuted his “Adventures in the Arts” in 2016 as a solo performance, school only event.

This year, he decided to revamp the concept to also feature soprano singer Chara Miller, visual artist Allan Pachino Wallace, and international dancers Daphne Lee, of the Dance Theatre of Harlem, and Jared Brunson, of Complexions Contemporary Ballet.

On Thursday March 7, more than 300 students from both private and public schools attended the premiere of “Adventures in the Arts: Act 11”, which included classical and Baroque music, as well as tunes from video games and movie favourites such as “Harry Potter” and Disney’s “The Little Mermaid.”

Then March 8-9, the general public were given an entertaining musical history lesson with selections from Bach, Mozart and Kapustin, as well as Koji Kondo, who composed the soundtracks of popular video games such as Nintendo’s Zelda and Super Mario. The audience enjoyed a mix of piano music, dance, live art and song as they learned more about each composer and their musical era. [...]

CLICK HERE for full story on pg 2 in The Tribune Weekend.

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Photographer Melissa Alcena

Cacique Artist in the Spotlight: Bahamian photographer Melissa Alcena

by Cacique International

Cacique International’s “Artist in the Spotlight” series is a journey into a thriving Bahamian art scene and a look at some of The Bahamas’ most exciting artists, pushing boundaries on island and around the world.

In this episode, Cacique chats with Bahamian photographer Melissa Alcena, whose honest, arresting documentary photography has captured the attention of the island nation, as well as a not-too-shabby publication by the name of Vogue.

Melissa’s work is currently on display at the NAGB’s 9th National Exhibition, The Fruit and the Seed, - “a socially-curious project that centres around how artists are working to define their space and experiences. Whether it be through the lens of race, gender, parity and class.”

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Melissa Alcena Barber

"Sunday Shape Up" – Photo by Melissa Alcena

CACIQUE: WHAT DREW YOU TO PHOTOGRAPHY AS AN ART FORM?
MELISSA: I didn’t go straight off to college after graduating high school because I wasn’t sure what I wanted to do, so I worked desk jobs instead. After settling into an I.T. company as a sales person, I still felt super unfulfilled. I wasn’t really making the difference I wanted to in other peoples lives, or tapping into my creativity either. Around that time, I had taken up photography as a hobby, photographing people I met on the street, mainly homeless people, in an attempt to showcase something positive about them and I liked it. I liked connecting with random people and having these intensely insightful moments and then seeing the final images.

After a particularly rough day at work, I went to grab a drink at a bar and started up a conversation with a stranger, venting about how I unfulfilled I felt, and how it would be amazing if I just went off to study photography instead. To my luck, he told me about a college his brother attended in Canada for photography and urged me to check it out. When I did the research it felt like the place for me ( even though I’d never been to Canada before ) and I decided I was going to attend. I eventually quit my job and moved to Cuba for a few months to work on photos for my entrance portfolio ( I’d been to Cuba before with my Dad and was super inspired by the country and it’s people ). I got accepted and I realised it was the perfect way to for me to combine my creativity and my love of connecting with people, while also being of service to others. [...]

CLICK HERE for full interview at Cacique.

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A Bahamian Blockade Enforcer

Forgotten Facts by Paul Aranha

This column has always started at the beginning, but this time I will start at the end – with some of the closing words in Dr. Keith Tinker’s newest book, “Perspectives on Nassau and Blockade Running, 1860-1865”, because they are about forgotten facts:

“Today, reminiscences on the blockade running to and from Nassau is a nearly forgotten subject. The generation now is unfamiliar with the era and generally cares little about the significance of those events on the development of Bahamian society…I hope, therefore, that the exposure of Bahamian youth to this book may make a difference in their general perception of Bahamian history…”

I am used to looking at blockade running from the Bahamian perspective of how it affected us and I have given little thought to the situation in the Confederate States (the South) and, to lesser degree, the Union States (the North). Tinker’s book has changed this.

To cripple the South, the North had introduced a blockade of Southern ports, using the US Navy to intercept and seize any boats seen going to or from Southern ports. This blockade stretched from Virginia to Texas, a distance of some 3,500 miles. At first, the North did not have enough ships to stop all ships arriving at or leaving all the Southern ports, but the blockade became steadily more effective, as more and more ships became available. The South never had enough ships to resist the Northern fleet. [...]

CLICK HERE for full story on pg. 24 in The Tribune’s Weekend.

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Sitting Pretty Political

Bahamian artist Amos Ferguson’s contribution to the reclining women of art history.

Amos Ferguson Reclining

“Woman Reclining on a Sofa” (1960), Amos Ferguson, house paint on cardboard, 12” x 19”. (The D’Aguilar Art Foundation Collection.)

by Natalie Willis

One of the key poses for women in classical painting is the reclining nude. It’s become such a huge part of the canon of European historical paintings, no doubt in part to the patriarchal obsession with the naked female form. Nonetheless, it’s been rich territory for many an earth-shattering painting in art history: Titian’s “Venus of Urbino” (1532-34), Jean Auguste Dominique Ingres’ “Grande Odalisque” (1814), and Manet’s infamous “Olympia” (1865), all of which changed the art world’s reading of the pose each time. It should come to us as no surprise then that Amos Ferguson, our beloved (and often misunderstood) intuitive painter from Exuma, might want to make his own mark in such territory, though perhaps more conservatively given his very religious background.

Amos Ferguson’s “Reclining Woman on Sofa” (1960), is a very early work for Ferguson, perhaps marking his own dabblings and understandings in the wider art historical canon – or at the very least, how incredibly accessible this particular image has now become something of a “default” for us. From paintings to marble sculptures, the image of the “ideal” feminine (often European, often slim) is ubiquitous, and this spills out into the mainstream, and contrary to popular belief, the “art world” is not separate from our everyday reality and the “wider world”. This is why Ferguson’s portrayal becomes so interesting for our space, standing in stark contrast to Brent Malone’s sensuous nudes and to the painting lineage they are descended from, not just because Ferguson is an intuitive artist and not formally trained, but because his focus and perspective are so vastly different. [...]

CLICK HERE for full text at the NAGB’s website.

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The Black Woman Body Paradox

Bahamian artist, Joann Behagg, draws attention to the struggle of Black Women of size and celebrates their strength.

NAGB Joann Behagg

Installation view of Joann Behagg’s series of earthenware figures of women as seen in the NAGB’s Permanent Exhibition “Hard Mouth: From the Tongue of the Ocean”.

by Natalie Willis

There are certain things that should unsettle us, should bother us, should make us uncomfortable - but having to live in a world that tells you that you don’t belong means you must adapt, you must swallow it down, you must get accustomed to the uncomfortable to the point that it is your normal. It is an almost universal experience for marginalised people who find themselves struggling because of their gender, skin colour, class, religion, sexual orientation, or whatever sickening flavour of social discrimination is the order of the day. These are ideas that Black women in particular have been speaking to for years in social activism, and in many ways, Joann Behagg’s series of stoneware figurines depicting the “mammy” stereotype in its variations are a gateway to discussing these issues.

We see them instantly read as Black women, because of the full figure we associate with Caribbean women, but also because of the way these women mimic a familiarity we might associate with our grandmothers – the posture, the rollers, the warmth and nurturing bosom, the strength with which they sit and hold space. But there are other things we notice. There are exaggerated feet and legs to show a grounding of these earthy earthenware women, they are faceless because they could be any of us in some ways, and they are made humanoid and less human through it. This is the function of the mammy stereotype, but also of caricature. Being one-step-removed, having distance from reality by a hairline, can help to speak to wider issues with more ease and more openness. Sometimes, however, it can make it even easier to dehumanise people and situations and all the struggles that lie between. [...]

CLICK HERE for full text at the NAGB’s website.

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artist opportunities

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NAGB Travel Grant

NAGB offers travel grant to Tilting Axis 5

Application Deadline: April 15th, 2019

The National Art Gallery of The Bahamas (NAGB) in collaboration with Tilting Axis 5 is pleased to present a travel grant to support a Bahamian artist, art historian, cultural worker, researcher or curator to attend this year’s conference at the Memorial ACTé in Guadeloupe. The B$1500 grant will be used to underwrite the cost of travel and accommodation to attend the annual meeting.

Tilting Axis 5 “Beyond Trends: Decolonisation and Art Criticism” will explore the theme of decolonisation to think beyond its currently popular usage as cultural and institutional critique. Unlike its application to specific sites and processes, has decolonisation been a constant and ubiquitous practice in the Caribbean? This gathering will re-consider the currency of these discourses, identifying site-specificity within the Caribbean. For example, what does it mean for art institutions to negotiate decolonisation after postcoloniality? What different approaches can be deployed in decolonising discourses—specifically in relation to art criticism—and made more visible in spaces where their prevalence renders them invisible?

Examining the roles of artists, curators, educators, arts managers, scholars, art writers and critics, arts managers and policy writers, etc., they will consider how to strategically involve discourses on decolonisation that are useful for the Caribbean’s cultural sector. [...]

CLICK HERE for full application details at the NAGB website.

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BIFF-Screenwriters-Call

Call for Entries: Screenwriters Residency

Submission Deadline: September 5, 2019

Bahamas International Film Festival (BIFF) connects emerging TV & Film writers with the best industry professionals in an intimate setting in Hope Town Abaco. Writers receive first hand knowledge and build lasting relationships with field experts.

The program consists of 4 days of intense workshops. Three (3) writers will be selected for features film scripts and Three (3) for TV scripts. Six (6) fortunate applicants will be extended the invitation to attend the mentorship in Hope Town, Abaco and eligible for a Cash Prize to be awarded to both the 1st Place winners of the film and TV scripts.

Screenplay Submission Fees
Late Deadline June 6 / Fee: $100
Extended Deadline September 5 / Fee: $125

TV Pilot Submission Fees
Late Deadline June 6 / Fee: $75
Extended Deadline September 5 / Fee: $100

CLICK HERE for more details at BIFF.

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A D V E R T I S E M E N T :

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about us

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Smith & Benjamin’s Bahamian Art & Culture eMagazine

Art & Culture were created to
uplift and inspire mankind.

Bahamian Art & Culture eMagazine is an email magazine concentrating on the art & culture of The Bahamas and the world around us. It is published once a week and is a service of Smith & Benjamin Art & Design, a design firm based in Nassau, The Bahamas offering graphic design, custom illustration, fine art, art marketing, art brokerage and publishing.

Dionne Benjamin-Smith, Editor-in-Chief & Publisher:
dionne@smith-benjamin.com
Stephanie Shivers, Account & Office Manager:
stephanie@smith-benjamin.com

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