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Dale Chihuly: The Exhibition

Persian Seaform Ceiling

This series' title hints at associations with ancient glass styles and reflects the fusion of East and West. Historically, Venice showed an assimilation of Persian, Byzantine, and eastern ideas. When Chihuly worked at the Venini factory in Venice, his awareness of these historical ties and stylistic influences in Venetian art grew. Persians, with their gently fluted edges, are delicate yet powerful, and their jewel-like colors and sensuous curving forms make them some of Chihuly's most glorious work.

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Macchia Forest

Chihuly's Macchia (pronounced mock' kia) are speckled with colors. Chihuly couldn't think of what to call this series of works when he began it in 1981, so he called an artist friend, Italo Scanga, and asked what the Italian word for "spotted" would be. Spotted in Italian is "macchia." When you look at the Macchia, notice that the interiors and exteriors of the vessels are different colors. Each side is distinct because a layer of white opaque glass separates them.

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Set Pieces

Dale Chihuly: The Exhibition includes fourteen set pieces, such as bowls, Macchia, basket sets, Seaforms, and Persians.

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Autumn Gold Persian Wall

This series' title hints at associations with ancient glass styles and reflects the fusion of East and West. Historically, Venice showed an assimilation of Persian, Byzantine, and eastern ideas. When Chihuly worked at the Venini factory in Venice, his awareness of these historical ties and stylistic influences in Venetian art grew. Persians, with their gently fluted edges, are delicate yet powerful, and their jewel-like colors and sensuous curving forms make them some of Chihuly's most glorious work.

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The Tilghman Print Collection

November 23, 2007 %u2013 May 2008

The Tilghman Print Collection includes a selection of 22 prints donated by Charles C. Tilghman in 1982. These prints were taken from the work of the seventeenth-century French artist Claude Lorrain. Claude was one of the foremost practitioners of classical Italian landscape painting. He created hundreds of paintings of the picturesque scenery found in the vicinity of Rome and Tivoli as well as the ancient temples and ruins around the Gulf of Naples. Later, to guard against imitations and forgeries, he created a series of 200 detailed drawings of his work in a record book called the Liber veritatis. The etchings in this exhibition were later copied from those drawings by respected printmakers, such as Richard Earlom, William Bromley I, Henry Edward Dawe, Thomas Goff Lupton, G.H. Every, John Bromley, and William Say.

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The Oklahoma City Museum of Art

Donald W. Reynolds Visual Arts Center

Consisting of three floors of galleries, the Museum School, Noble Theater, and Museum Cafe, the Donald W. Reynolds Visual Arts Center is located in the Arts District of downtown Oklahoma City between Hudson and Walker Avenues on Couch Drive. The Museum in the Donald W. Reynolds Visual Arts Center opened in 2002 and was designed by Allen Brown Architects.

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The OKCMOA is located at:

415 Couch Drive
Oklahoma City, OK 73102
Parking downtown around the Museum of Art

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